Green Box Kawai K5, K5m Additiver Synthesizer AMAZONA.de
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Kawai K5. MATRIXSYNTH KAWAI K5 Digital Multi Dimensional Synthesizer The Kawai Anytime pianos have the possibilities and the flexibility of the digital pianos The K5 is a digital synthesizer that employs additive synthesis harmonic-building as its method of sound creation
Green Box Kawai K5, K5m Additiver Synthesizer AMAZONA.de from www.amazona.de
The new K-500 is a true "step up" from a variety of perspectives You should be able to get an idea about the soundscape that was at the cutting edge at the time the Kawai K5 entered the marketplace by listening to an album like "Revolutions" by Jean-Michel Jarre, released in August 1988:
Green Box Kawai K5, K5m Additiver Synthesizer AMAZONA.de
But even using this method it can take quite a while to knock 63 harmonics into shape, so Kawai's designers have come up with a few short cuts, to speed things up. Through the MIDI interface all possible digital devices (like computers with score software, sound modules or arrangement keyboards) can be connected with an Anytime piano, to use it so simple and agreeable for compositions, recordings or to use it with the digital accompany band. Kawai K5 Digital Multi Dimensional Synthesizer (1987) It was originally dubbed "Digital Multi Dimensional Synthesizer"
Kawai K5 Digital MultiDimensional Synthesizer Property Room. Sounds are created by setting the levels for up to 126 sine wave harmonics The K5 is one of the worst-sounding and most difficult to program synthesizers ever produced.
Kawai K5 (SOS Dec 87). The K-5 upright piano was an exceptional piano that was replaced by the K-500 when the K Series was transformed in 2014 You should be able to get an idea about the soundscape that was at the cutting edge at the time the Kawai K5 entered the marketplace by listening to an album like "Revolutions" by Jean-Michel Jarre, released in August 1988: